Color and Form is a large-scale parametric installation developed for the Technical Light Center pavilion and presented at the MinskExpo exhibition in 2015.
The project explored how computational design can move beyond digital models and become a fully fabricated architectural object. Instead of relying on a predefined pattern, the installation was generated through a custom parametric workflow developed in Rhino and Grasshopper, producing hundreds of unique components that together formed a continuous spatial structure.
The workflow covered the entire process from concept generation to physical realization, including geometry generation, component rationalization, automatic numbering, fabrication drawings, CNC preparation, assembly logic, prototyping and final installation.
Every element of the installation was digitally generated, documented and prepared for fabrication through a single computational model. The resulting system enabled the construction of a complex freeform structure using lightweight sheet materials and straightforward assembly techniques.
The project was exhibited as part of the Technical Light Center pavilion at MinskExpo and served as a demonstration of how algorithmic design, digital fabrication and physical construction can operate within a unified workflow.
Project Information
Project: Color and Form Installation
Location: Minsk, Belarus
Year: 2015
Type: Exhibition Installation
Tools: Rhino, Grasshopper, Digital Fabrication Workflow
My Role
I developed the computational workflow used to generate, rationalize and prepare the installation for fabrication. My involvement included parametric geometry generation, fabrication planning, component numbering, production documentation, prototyping and implementation support.
Credits
Concept, Computational Design & Project Lead
Dmitrij Kisselev
Project Team
Siarhei Kuratski
Siarhei Pogorelov
Additional Support
Nikita Yakovlev
Polina Sergeeva
Client / Pavilion
Technical Light Center
Exhibition
MinskExpo 2015
